2023, Brise Soleil
on view at Brick Bay
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2022, The Genius Loci of the Chapel (Bronze Version)
Tai Tapu Sculpture - Permanent Collection Award
Canterbury
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2022, The Genius Loci of the Chapel
Sculpture on the Gulf
Photograph: Peter Rees
My artworks, defamiliarise the architectural reference in direct physical relation to the urban or organic environment. A viewer who encounters my public works, for example, can approach or circumnavigate them from many directions on their own terms. The view is not singular; there is not a set perspective engineering a specific response.
Photograph: Peter Rees
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2022, Brise Soleil
Sculpture in the Gardens
Brise Soleil, powder-coated aluminium 2.9m x 3 pieces
Brise Soleil (after Jane Drew) is based on a fragment of Jane Drew’s facade for a school in Chandigarh, India. Here the medium is powder-coated aluminium. I wanted the sculpture to refocus the intent of a brise soleil, which is designed to control sun and breeze. The idea of a free standing outdoor brise soleil nullifies that purpose and makes the object nonsensical, moving the object from its architectural anterior, to a new sculptural form.
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2021, The Walls #5 & #3
Wall #5 Corten 2.5m, private commission near Thames
Wall #3 Corten 2.7m, at Tai Tapu Sculpture Garden 2021
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2020, The Pool
Ōtautahi
-Christchurch
The Pool contains an absurdist element, it is not close enough to water for diving, and it is constructed without stairs. The ambiguity of having a defunct diving board marooned in a city park is a prompt to consider the site and the city's brutalist architecture, known simply as ‘The Cristchurch Style,’ which became a defining feature of Ōtautahi-Christchurch in the 1950s.
The Pool, Glass Reinforced Concrete, Powder-coated Aluminium,3.2m x 800mm
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2020, Buronzu
Westfield Auckland
Wall #3 Bronze and steel x 6 pieces
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2017, Reading Zen in the Rocks
Sculpture on the Gulf
Bronze and bronze sprayed fibreglass
2014, View to the Pavilion
Sculpture on Shore
Screen, painted cast iron x 3 pieces. Forms, cast iron x 5 pieces